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Particularly for the internet search engine they can browse for any topic under the run with no time restriction. You can argue with the High Noon guy by drawing on basic high school history and your knowledge of the film itself, but if you want to argue with an advocate of Lacanian psychoanalytic film theory you’ve got to get your head around terms like suture and the Imaginary and the Symbolic and the Other and jouissance. (Not to mention some infuriatingly pretentious punctuation habits, like the littering of sentences with brackets so that words mean more than one thing at a time, as in: “The subject (mis)recognises itself both as itself and as other”).

Pages: 174

Publisher: Routledge; 1 edition (April 16, 2014)


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